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This study traces such tendency in one of traditional community, Manggarai, in Flores, East Nusa Tenggara. In moral issues individuals should make their own decision. Also in traditional community individuals are endorsed to make their own moral considerations though it means they contradict society. Individuals do not depend upon social-communal values. Traditional-ethical texts endorse individuals to have their own opinion on important issues of social-moral life, though they will different from the mainstream. Strong awareness of moral-self endorses people to have courage to make a personal-individual moral decision (Tillich). Manggaraian people, though mainstream anthropology categorize it communal-traditional society, have some basic knowledge of the idea of moral-self, in the philosophical terminology of Taylor. Based on a study of “ethical-texts” preserved in Manggaraian oral-tradition, however, I postulate that indigenous tribes have their own way-of-thinking about individual-self, particularly individual-moral-self. Herder) with the birth of modern awareness of “individual-self” connected to western-modern individualistic society. Charles Taylor traced its historical development back to great philosophers of European rationalism (Kant, Hegel, Rousseau, J. Yayasan Seni Visual Indonesia.Western philosophers called the idea of “individual-self” a “modern project”. Jejak-jejak Tradisi Bahasa Rupa Indonesia Lama. Catalogue of Indonesian Manuscripts: Part 1 Batak Manuscripts. South and South-east Celebes Institute for Culture. The Structure of the Toba-Batak Belief in the High God. Journal of the Optical Society of America A 7 (6): 1055-73. Ornamen Nusantara: Kajian Khusus tentang Ornamen Indonesia. Fisika batik: implementasi kreatif melalui sifat fraktal pada batik secara komputasional. The Icfai University Journal of Knowledge Management 7(2):7-17. “Evolutionary Economics Celebrates Innovation and Creativity-Based Economy”. "Evolutionary Clustering in Indonesian Ethnic Textile Motifs". “Deconstructing Javanese Batik Motif: When Traditional Heritage Meets Computation”. Artificial Life for Graphics, Animations, and Virtual Reality. The Beauty of Fractals: Images of Complex Dynamical Systems. Generative Art: A Practical Guide Using Processing. Origami, Kirigami, and the Modeling of Leaves: An Interactive Computer Application. Turtle Geometry: The Computer as a Medium for Exploring Mathematics. L - Industrial Organization > L8 - Industry Studies: Services > L86 - Information and Internet Services Computer SoftwareĪbelson, H., & diSessa, A. Z - Other Special Topics > Z1 - Cultural Economics Economic Sociology Economic Anthropology > Z11 - Economics of the Arts and Literature

Q - Agricultural and Natural Resource Economics Environmental and Ecological Economics > Q2 - Renewable Resources and Conservation > Q20 - Generalĭ - Microeconomics > D8 - Information, Knowledge, and Uncertainty > D80 - General I - Health, Education, and Welfare > I0 - General > I00 - General L - Industrial Organization > L8 - Industry Studies: Services > L83 - Sports Gambling Restaurants Recreation TourismĪ - General Economics and Teaching > A1 - General Economics > A13 - Relation of Economics to Social Values Item Type:īatak, gorga, carving, painting, Indonesia, fractal, geometry, generative artĬ - Mathematical and Quantitative Methods > C0 - General > C00 - General The result is a proposal to see Bataknese gorga as one of traditional heritage that may enrich the studies to the generative art. The way gorga is drawn is captured by using some modification to the turtle geometry of L-System model, a popular model to model the dynamics of growing plants. The fractal dimensions of the geometrical shapes in gorga are calculated and they are conjectured into 1.5-1.6, between the dimensional of a line and a plane. The survey of ornaments of Batak houses and buildings in Northern Sumatera Indonesia has made us possible to observe the complex pattern. There are no identical patterns of the ornaments within Batak houses and the drawings are closely related to the way ancient Batak capture the dynamicity of the growing “tree of life”, one of central things within their cosmology and mythology. The carved and painted decorations in traditional Batak houses and buildings, gorga, are the source of their exoticism.